Kim’s Video
For two decades, New York City cinephiles had access to a treasure trove of rare and esoteric films through Kim’s Video. Originally run by the enigmatic Yongman Kim out of his dry-cleaning business, his franchise eventually amassed fifty-five thousand rental titles. In 2008, facing a changing industry, Mr. Kim offered to give away his collection provided that it stay intact and be available to Kim’s Video members. In a bid to revitalize tourism, the small Italian village of Salemi, Sicily became home to the archive. But after the initial publicity faded, so too did any sign of the collection. Enter filmmaker David Redmon, who credits Kim’s Video for his film education. With the ghosts of cinema past leading his way, Redmon embarks on a seemingly quixotic quest to track down what happened to the legendary collection and to free it from purgatory.
David Redmon and Ashley Sabin’s playful documentary embraces various filmic forms, from cine-essay and investigative nonfiction to experimental cinema and even heist movies, to fashion an ode to the love of cinema and the enduring power its stories hold.
Kim’s Video
For two decades, New York City cinephiles had access to a treasure trove of rare and esoteric films through Kim’s Video. Originally run by the enigmatic Yongman Kim out of his dry-cleaning business, his franchise eventually amassed fifty-five thousand rental titles. In 2008, facing a changing industry, Mr. Kim offered to give away his collection provided that it stay intact and be available to Kim’s Video members. In a bid to revitalize tourism, the small Italian village of Salemi, Sicily became home to the archive. But after the initial publicity faded, so too did any sign of the collection. Enter filmmaker David Redmon, who credits Kim’s Video for his film education. With the ghosts of cinema past leading his way, Redmon embarks on a seemingly quixotic quest to track down what happened to the legendary collection and to free it from purgatory.
David Redmon and Ashley Sabin’s playful documentary embraces various filmic forms, from cine-essay and investigative nonfiction to experimental cinema and even heist movies, to fashion an ode to the love of cinema and the enduring power its stories hold.
The Deepest Breath
Champion freediver Alessia Zecchini fell in love with the sport as a child growing up in Italy, astounding coaches with her raw talent and determination in pool swims and open water contests before she was even old enough to legally compete. Irish adventurer turned expert safety diver Stephen Keenan, meanwhile, was raised near the sea, but as a young man he set out on a quest to find himself, traveling across Africa before landing in Dahab, Egypt and establishing a dive school. Despite their very different paths, the two would meet at the pinnacle of the competitive freediving world, discovering a shared passion for pushing their limits and forming a powerful relationship that felt like fate.
From director Laura McGann, this thrilling documentary takes a look inside one of the most dangerous sports in the world, using everything from raw underwater dive footage to childhood home movies to chronicle Zecchini and Keenan’s lives and careers. The bond between them propels the film’s emotional journey into the stunning, silent depths of the ocean, a breathtaking place unseen by all but the fortunate few – where exhilarating accomplishments and unavoidable risks await.
Queendom
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. Born and raised on the harsh streets of Magadan, a frigid outpost of the Soviet gulag, Gena is only 21. She stages radical performances in public that become a new form of art and activism. By doing that, she wants to change people’s perception of beauty and queerness and bring attention to the harassment of the LGBTQ+ community. The performances—often dark, strange, evocative, and queer at their core—are a manifestation of Gena’s subconscious. But they come at a price.tt
Maestra
Five women from around the world who are boldly breaking glass ceilings in the male-dominated world of orchestral conducting take center stage in Maestra, filmmaker Maggie Contreras’ directorial debut. They gathered in Paris for ‘La Maestra’, the only competition in the world for female conductors, to show the world the singular talent that unites them and which, for far too long, has been considered the pursuit of only men. Mothers, daughters, rebels, leaders – over four days, each takes to the stage to compete. Personal stories of survival, passion and perseverance are woven together with the drama and excitement of this one-of-a-kind event. The struggles and triumphs of the gifted artists in Maestra offer a microcosm for the challenges faced by women in every industry and in every walk of life today, while also providing valuable insights into how we may conduct ourselves as we create a new movement for a more equitable future.
Your Fat Friend
Aubrey Gordon began her career writing with candor and humor as the anonymous blogger “Your Fat Friend”. Her searingly honest writing describes what it’s like to be a fat woman in the world, how the fantasies peddled by a diet and wellness industry are worth $26 billion a year, and how the biggest threat to fat people’s health might just be the bias that some many health care providers hold for fat people. Aubrey spent a decade campaigning for LGBTQIA rights so she knows that change is possible. Now it’s time to advocate for herself. For Aubrey, this isn’t about “body positivity” co-opted by brands to sell fat-kinis to size 16 women, it’s about bringing about a paradigm shift in the way that we treat fat people and the fat on our own bodies. It has brought her an insatiable worldwide audience, and threats to her life. Your Fat Friend follows Aubrey’s rise from anonymous blogger to NYTimes best selling author and co-host of the podcast Maintenance Phase, and charts the complexities of finding a place in the world when you don’t quite fit in.
It’s Only Life After All
With forty years of making music as the iconic folk-rock band Indigo Girls, Amy Ray and Emily Saliers have made their mark as musicians, songwriters, and dedicated activists. They have represented radical self-acceptance to many – leading now multiple generations of fans to say, “the Indigo Girls saved my life.” Still, Amy and Emily battled misogyny, homophobia, and a harsh cultural climate chastising them for not fitting into a female pop star mold. With joy, humor, and heart-warming moments, Sundance award-winning director Alexandria Bombach brings us into a contemporary conversation with Amy and Emily – alongside decades of the band’s home movies and intimate present-day verité.
Going to Mars: The Nikki Giovanni Project
“The trip to Mars can only be understood through Black Americans.” Legendary poet Nikki Giovanni’s revelation is a launching pad to an inspiring exploration of her life and legacy. Through a collision of memories, moments in American history, live readings of her poetry, and impressions of space, Giovanni urges us to imagine a future where Black women lead, and equity is a reality. Directors Joe Brewster and Michèle Stephenson (American Promise, The Changing Same) craft a vision fit for the radical imagination of Nikki Giovanni. Present-day Giovanni reckons with the inevitable passing of time, while an evocative melding of vérité and archival images act as openings into her mindscape, transcending time and place. Brewster and Stephenson’s approach is imaginative and dreamlike, akin to the way Giovanni’s words are hair-raising in their power to summon unrealized ways of seeing. The Afro-futuristic lens honors Giovanni’s complexity and transports us on a journey through Black liberation from the perspective of one of America’s most acclaimed and beloved writers, a profound artist and activist. Next stop, Mars.
Confessions of a Good Samaritan
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger – someone she’s never met, and never will meet – launches her on a provocative, intimate, and unexpectedly funny quest to understand the nature of altruism. Confessions of a Good Samaritan is a provocative inquiry into the science, history, and ethics of organ transplantation, asking an ancient question in a whole new way: who is your neighbor, and what do you owe them?
The Body Politic
The Body Politic is a harbinger for hope in a country plagued by gun violence. Our protagonist is Brandon Scott, a young Mayor who grew up during Baltimore’s most troubling years and sets out, with unyielding idealism, to change the course of his battered and beloved city. Scott is elected Mayor amid the George Floyd uprising, and he introduces an ambitious plan for violence reduction and police reform that he promises will lower the city’s murder rate. Pundits claim Brandon’s political health and the city’s health are tied to the number 348 – the total murders Baltimore had the previous year, more homicides than NYC, a city fifteen times its size. After entering office and barely getting a chance to enact his first safety reforms, violence surges to new highs. As the media and political foes attack his holistic approach, Brandon’s commitment to his principles put his future as a politician at risk.
Our Body
Veteran documentarian Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris and in the process, questions what it means to live in a woman’s body, filming the diversity, singularity, and beauty of patients in all stages of life.
Time Bomb Y2K
As the year 2000 approached, rumblings started to spread outside of the world of computer engineers and into the mainstream consciousness about a ubiquitous error in computer code that would cause computers to reset during the transition from “1999” to “2000,” causing the world’s computerized systems to grind to a halt. This fully archival feature (no interviews, verité, etc.) documents the countdown to Y2K against the backdrop of the mass hysteria that infiltrated everything from politics to pop culture. Doomsday prepper communities started to proliferate and businesses popped up with products, books, and any way to make a quick buck off the looming disaster. Time Bomb Y2K is a wild ride through the final days of the ’90s and a compelling portrait of a turning point in the digital revolution. By examining this hingepoint between millennia, the film interrogates our ever-changing relationship to technology and each other.