For nearly fifty years, Robb Moss’s films have moved between the topical and the personal. AFRICA REVISITED, SECRECY, and CONTAINMENT explore racial complexity, government secrecy, and nuclear waste, while RIVERDOGS, THE TOURIST, THE SAME RIVER TWICE, and THE BEND IN THE RIVER examine youthful extravagance, infertility and adoption, and the passage from youth to middle age and beyond. His films have premiered at Sundance and Telluride, been reviewed in The New York Times and Los Angeles Times, and were nominated for an Independent Spirit Award. He has taught filmmaking in the Department of Art, Film, and Visual Studies at Harvard University for the past five decades.