Joshua Glick is a film and media studies scholar whose work focuses on the comparative histories of film, television, and radio; nonfiction media; race and representation; and the civic uses of emerging technology. He is the author of Los Angeles Documentary and the Production of Public History (University of California Press, 2018).
In collaboration with the Center for Advanced Virtuality at MIT, Glick designed the online curriculum Media Literacy in the Age of Deepfakes and co-curated the exhibition Deepfake: Unstable Evidence on Screen at the Museum of the Moving Image in New York. He recently co-edited The Oxford Handbook of American Documentary.
His current book project explores the growing interest in documentary across both the left and right of the political spectrum over the last three decades.