Plays with Short Film: Grazing on Images
Sunday, June 14
11:00 AM - 1:00 PM

National Gallery of Art, East Building Auditorium

4th Street NW and Constitution Avenue NW, Washington, DC 20565

for all screenings

Every Contact Leaves a Trace

Director

Lynne Sachs

Editor

Emily Packer

Co-Editor

Emily Packer

Cinematographers

Sean Hanley, Lynne Sachs, Rebecca Shapass, Jeffery Cheng, Yumeng Guo, Juan Jiang, Tiffany Rekem, Mark Street, G. Anthony Svatek

Music

Stephen Vitiello

Writer

Lynne Sachs

Contact

PRsylvia.savadjian@gmail.comUS/ Canada Distributionbob@icarusfilms.comInt’l Distributiondistribution@kinorebelde.com

Contact—tactile, evocative of one person touching another, physically and emotionally. Trace—a reckoning with the residue of that initial encounter, filtered by time and the imperfection of memory. Filmmaker Lynne Sachs has lived most of her life before laptops reshaped how people connect, and she has saved every business card she has ever been given.

Each card is a portal to her past, a reminder of how someone she met in person shifted her consciousness and left a trace of their presence: a German woman grappling with her country’s history; a therapist who erased all records of her own life; an artist confronting government censorship. Sachs selects seven cards from hundreds and sets out to uncover how and why they have endured. When possible, she follows these traces, seeking out reunions.

Revisiting fleeting encounters in kitchens, parks, offices, and festivals, she carries her cards to a forensic scientist’s lab to examine their DNA traces. Blending the real and the imagined, her essay film teases apart nearly forgotten resonances, intertwining personal memory with broader geopolitical histories.

Director, Every Contact Leaves a Trace

Lynne Sachs is a filmmaker and poet based in Brooklyn, New York. She has produced over 50 short and feature-length films, creating cinematic works that defy genre through hybrid forms and cross-disciplinary collaboration. Drawing on elements of essay film, collage, performance, documentary, and poetry, her work explores the intricate relationship between personal experience and broader historical realities, as well as the connection between the body, the camera, and the materiality of film itself.

Sachs began her filmmaking practice while living and studying in San Francisco, where she created early experimental works on celluloid rooted in a feminist approach to image-making and writing—a commitment that continues to shape her work today. Her films have screened at the Museum of Modern Art, the Wexner Center for the Arts, the New York Film Festival, Sundance, Punto de Vista, and DocLisboa.

In 2021, both the Thomas Edison Film Festival and Prismatic Ground honored her body of work in the experimental and documentary fields. Her poetry collection YEAR BY YEAR POEMS was published by Tender Buttons Press in 2019, and HAND BOOK: A MANUAL ON PERFORMANCE, PROCESS AND THE LABOR OF LAUNDRY, co-written with playwright Lizzie Olesker, was published by Punctum Books in 2025. In 2026, she received the Persistence of Vision Award from the San Francisco International Film Festival, recognizing filmmakers whose work expands the boundaries of the cinematic form.