Associate Professor of Film and Electronic Arts, Bard College
Joshua Glick is a film and media studies scholar focusing on the comparative histories of film, television, and radio; nonfiction media; race and representation; and the civic uses of emerging technology. He is the author of Los Angeles Documentary and the Production of Public History (University of California Press, 2018). Professor Glick’s articles and reviews have appeared in Film History, Afterimage, Wired, Film Quarterly, Jump Cut, The Moving Image, and the Los Angeles Review of Books. In collaboration with the Center for Advanced Virtuality at MIT, he designed the online curriculum, Media Literacy in the Age of Deepfakes. He also co-curated the exhibition, Deepfake: Unstable Evidence on Screen, at the Museum of the Moving Image in New York. Professor Glick recently co-edited the forthcoming volume, The Oxford Handbook of American Documentary. His current book project explores the rising interest in documentary on both the left and right of the political spectrum over the last thirty years.
